Thursday, October 16, 2025

Shhhh! Digital Media Presents: Grand Tapestry Of Moments 02 - Three For Horror: They Came From Halloween! (Updated: October 16, 2025 1:30 PM EST)





Stories


Fe & Fi

Updates: In Fe & Fi, the fictitious establishment Nerf And Turf has been renamed to The Nerd And Surf, in light of it being a seafood and wings focused sports bar. In the world depicted in the story, so the management of the sports bar averts being sued by Hasbro over trade name infringement, despite the fact that in this fictitious bar, there are amusements that include a fastball pitching range with real radar clocked baseballs, and several other safety friendly Nerf toy based sports games that patrons of the bar can play, in addition to watching sports on the large screen televisions. 

I don't often give sports the attention it deserves, and I'm doing my best to try and include it where and when I can, seeing as it is often a great source of support for many of the causes advocated for on Shhhh! Digital Media, and not to mention, a healthy way to keep active and show support to to participaction around the world. As a result, I'll be adding ParticipACTION to my list of advocated charities over the next week.

Chapters

  1. Johnny Sturgess (Finished October 15, 2025)
  2. The Wild Side (Finished October 16, 2025)
  3. Osaka And Keun (Coming soon...)
  4. Coming soon...


This content is produced by the artists indicated on the site, including myself, Brian Joseph Johns.



I, under no circumstance will trade, barter or otherwise swap my own identity for that of another person and I protect the same right for those who've contributed their artwork to the various projects under my management at Shhhh! Digital Media, my own company, no matter the colour symbolism involved. These rights are protected by law under the Charter Of Rights And Freedoms under section 7.


Also, FYI, I don't reverse or alter the polarity or context of my expression (sometimes referred to as "blove" by some people). I say what I mean and mean what I say, and generally only joke or am sarcastic with people I really know very well.

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Shhhh! Digital Media
Brian Joseph Johns


Shhhh! Digital Media Presents:

Grand Tapestry Of Moments 02

Three For Horror: They Came From Halloween!

by Brian Joseph Johns

Fe & Fi


Johnny Sturgess

Its not every day that you break the fourth wall, but here I am doing exactly that with a reader I've never met in my life, and someone I will likely never truly know the way that you are going to know me. You see, this is a one way medium, where the story only flows in one direction, and have I got a doozie of a story for you, and given that you're on the receiving end, you're in for a real treat. A trick or treat that is.


Who am I you might ask yourself? Perhaps I'm an egomaniac, hell bent on talking about himself for an hour. The truth is, you'd be wrong about that assumption, because the fact of the matter is, that I'm very much a people person. In fact, I'm a professional people person for a company with a long history of giving women the tools they can ply as artists of their being, and for the essence of their own look. To give their face a little colour and their eyes a little more sparkle. I'm an outside sales rep for Kawaī kao Cosmetics.


That's right. Go ahead and say it. But you're a guy, you don't even wear makeup. I mouthed the words exactly as you read them. Its true. I'm a guy. I don't wear the product, though when I'm on camera, the makeup artist might use a little concealer. Maybe some foundation as is the case with all professionals who work in front of the camera. That's not my field, but inevitably as a sales professional, I'm sometimes asked to do a presentation in front of a camera. For hundreds of thousands, if not millions on late night television a few times years ago. You know. Infomercials. Not my regular gig, but one I've done two or three times for Kawaī kao Cosmetics in the past.


So, you might ask yourself then, in the interest of authenticity, a weaponized word that is often thrown around too much of late, how does a guy who doesn't even wear make-up end up as the outside sales rep for a company whose product line encompasses the entirety of cosmetics?


First of all, what do sales reps even do? Well, they sell stuff.


In my field, there are front line sales associates, most if not all of whom are women, who do their job exceedingly well. I mean, they wear the product. They demonstrate it quite well. They're artists, every single one of them, bringing art to the canvas of the human face. They're articulate as well, which in this business is important. And, they're women. They aren't challenging any societal norms by selling make-up, and most of our clients want what we sell.


Sometimes however, there are clients, often powerful women, who run their company with an iron heel if you get my drift, and our front line sales staff don't often have the necessary tools to be able to communicate effectively with these modern vixen leaders of the corporate world. 


It used to be, that men were running that show, but that is certainly not the case anymore. When it was men at the helm, a sales force of women, often very charismatic and attractive women, who knew how to play men by their two leashes: the one we got from the world of fashion known as a neck tie, and the other one that comes in a variety of shapes and sizes, that we got from nature. You know, the leash that rests just above a man's family jewels if you catch my drift. 


Most women of world awareness are very familiar with how to use one or the other to control a man, and that is certainly not to say that all women are manipulators, because that definitely isn't the case. Some women don't even think like that, and of those women, most of them never end up with the cozy corner office. However, some women of particular awareness are very capable of using either leash, in addition to however many other intellectual gifts they often possess. And now, the cozy corner offices of corporate headquarters everywhere are fully populated with women at the helm of these companies.  Guys, you might be thinking that its the end for us, and you'd be sadly mistaken if you dared in that direction. Remember. Its a partnership. The longest standing partnership with which we're familiar as human beings. So, us guys have to get our piece of the pie. That's where I come in.


Most of what I have to offer in terms of my delivery comes from my empathy, my intellect and my confidence. Both in the product I'm selling, and in myself. If you can't sell one, you definitely will not be able to sell the other. Its as simple as that, and when you're dealing with a woman who commands an entire army of neck ties, with one hand, and the company's pocket book with the other, you can be sure that she damned well knows how to use her heels, or her comfy shoes as the case may be.


I'm not a bad looking guy, and some might even regard me as a little bit hunky. I don't really focus on that or spend a lot of time preening that aspect of my being, except for taking care to ensure that I'm clean and professionally presentable when and where I need to be, and for the most part, that is always in front of these women at the helm, and often within their corner offices at very large companies. They're the ones guiding the direction and prosperity of hundreds if not thousands of employees globally as the one in charge at their company. I'm the guy that has something that their company cannot be without.


So how does a guy like me, one that most such women can see coming from a kilometer away, fit into the sales force of a company like Kawaī kao Cosmetics? 


The answer is, that I'm a charmer. Not insincere or a con man. I'm helping these women to understand why it is that what I'm selling is going to make the world of difference for their company. I might not wear it, but I have an eye for what is appealing when it comes to the art of etching grand rennaissance paintings of colour, light and shadow on one's face. I know what gets men's attention. Not just some generic cookie cutter representation of a man, but every guy I see, I can tell you exactly what makes him tick when he sees a woman.


Most of these women who are the world's corporate leaders, almost always have a nemesis. A competitor, often one of the opposite sex, who seems to be immune to her ability to take charge or to wield his "leashes" on life. So naturally, I'm the key to solving these women's problems, despite the fact that they often don't realize that they have such a problem in the first place.


My pitch is simple. I come in. First, I listen to them. Then, I speak confidently with them, giving them the respect they deserve, and at the same time, treating them as equals. Being candid. I find out a bit about them, and after a meeting or two, I have enough to know that they have a nemesis. I just give them the tools, by way of our product and an idea of what turns the crank of that nemesis, and they're back in charge again, and I've just signed a two year deal where they'll stock, and carry Kawaī kao Cosmetics in their stores throughout North America, South America, Europe, Asia, Oceania and eventually on Mars if I'm still alive then.


I bring home the big deals. That's what I do. Or did, until things changed, that is.


Remember when I said that I don't wear the product. Well... that part wasn't entirely true, or at the very least, always true. When I was a youth, I had dreams of being a music star, and when we'd perform gigs at the school events, my bandmates and I sometimes wore stage makeup. Very common since the invention of motion pictures and way before that since the invention of live theatrical performances. We're talking hundreds, if not thousands of years in some cultures throughout the world that stage makeup has been an important part of performance arts. 

What harm is there in it, if our faces are an artist's canvas, and we enjoy embellishing the art that we already clearly are. Its good for those creative souls who enjoy that aspect of their presentation. Its good for my company and their bottom line. Therefore, by the company being the means to my prosperity, its definitely good for me. We all win, and any situation where all of us win, is where we need to aim ourselves.


Now we're getting to the tricky part, where I, the protagonist of this story so far, runs into a contradiction of values that has an impact upon my future and changes the course of my life. Forcing me to make an assessment of my stance on certain issues and to reconcile where I was with where I believe I should be standing. 


Before you judge me, I implore you to remember that in this life, there are forces at work behind the scenes that ensure that we end up with by way of our earning it, that which we protect. That's what we're led to believe and that's probably the case for most of us. 

For some of us however, there's a more reserved and sinister set of forces behind the scenes, that creates its own alternate version of your pursued life narrative, no matter what you protect and what you don't. 

Like a force that purposely tries to keep you going in the path they've chosen for you, so much so that your efforts to steer yourself clear of such a force, are rewritten in such a way that makes it appear that you support this hidden force and the place they're trying to confine you within their plan. 

A bizarre conspiracy to those who've never encountered it before. 

A very real and damaging obstacle if and when you are in the midst of it.


Before I continue, I should introduce myself. I am a man of thirty six years, once divorced in a clean separation and two years later, a settlement. My ex-wife Nancy and I remained friends for years beyond that time when we finally settled. When she was thirty, and I was twenty-six (I was always fascinated by older women). 

I remember that night well. We called the lawyers. Had a few drinks together. Argued a bit. Reminisced some. The lawyers called us and told us they'd come to an amicable agreement, which we signed off on. Then Nancy and I had the best sex of our lives that night, but we never from that moment spent any time together alone, ever again. 

We still talk from time to time, but she recently tied the knot and for obvious reasons, we're keeping our distance from each other. 

She might not be my Nancy any longer, but I am still my own Johnny Sturgess. Corporate Sales. Kawaī kao Cosmetics.

At your service, so long as you'd care to sign a minimum one year retail or distribution deal.


The Wild Side


My boss, the man I report to, he's been with the company for his entire life. He started at the very bottom, first, as a clerk in the mail room (back in the days of snail mail), and then was trained as the company's first generation of computer administrators for the new email system, despite that not really being what he'd wanted for his career path. He persevered and rather than make waves, he made money, very much moving with the current rather than against it as he'd told me a few weeks ago during a company social event in Toronto at the site of one of our customers: West Meet East International, in their fashion show/ballroom.


He'd always been fascinated with women, and not strictly as part of his sexual appetite, but rather as someone with the eyes of an artist, who'd never pursued a vocation in the arts. Instead, he saw art in the faces of women, hence why he'd joined Kawaī kao Cosmetics back in the early days in Osaka, Japan.


When an opening as an ISR (Inside Sales Rep) became available, he immediately transferred from the IT department to sales, and never looked back. He spent the next ten years working as an ISR, backing up his OSR (Outside Sales Rep) Shiori Sachiko. She was eventually promoted to the head of sales for the company (the position my boss now holds), while he was promoted to the position of  OSR, essentially working the same position that I currently hold with the company. 


Over the following ten years, Shiori was promoted to the board of directors, while my boss, whose name I neglected to mention is Hiroyuki Hori, was promoted to the head of the sales department, whose offices had moved from Osaka, Japan, to Toronto, Ontario, Canada during that time. It took him three months to re-establish himself in his new home in a lavish condo in downtown Toronto, and another three before he made the best decision of his career: hiring me

That was ten years ago,  back when Nancy and I had the best (post-settlement) sex of our lives, which probably had at least a little bit to do with my having landed this career position with Kawaī kao Cosmetics.


A little over a year ago, I was called into Hiroyuki's office. I had up until that point, enjoyed a sort of elite status in the company, especially given my sales track record. Our top clients, had nothing but praise for me, and for our product, which carries a bit of clout in a company like Kawaī kao. However, what Hiroyuki had in mind for me was something for which I was not prepared.


It turns out that a there was a new player in town. A technology based warehousing outfit, with a sizeable warehouse storefront dedicated to everything fashion. They had locations in Paris. London. New York. Los Angeles. Toronto. Seoul. Hong Kong, and Osaka, and had accumulated all of this within the last three years thanks to their online sales and distribution model. They were simply known as Keun (Korean for enjoyably good), and even had their own dance style which was very popular in the Gangnam district of Seoul, and the Umeda prefecture of Osaka, and the Lan Kwai Fong district of Hong Kong. Toronto and Los Angeles, had their own version of the same dance, but stylized it with a bit more of a western signature. 

Keun was a company whose niche market had secured them the lucrative online distribution deals for many major fashion brands. Many, except for Kawaī kao Cosmetics. 

Hiroyuki Hori wanted very much to change that. And so it was that I was tasked with meeting their purchasing manager, Kazumi Fuku Chiharu, in Osaka in three days time.


It was Tuesday afternoon when I met with Hiroyuki, and my flight would be leaving on Thursday morning, from Pearson International with a stop in Calgary, and then a stopover in Vancouver, where I'd catch a second flight direct to Osaka International Airport.


I spent the rest of my day making the rounds to two of my customers, the first being the director of marketing for a retailer we dealt with, and the second being with one of the customers whom I could never read. She was one of those women I'd mentioned, who ran the show for a company with a world presence, but she also possessed a serenity that seemed, at least to me and my experience, to be otherworldly to say the least. 

I met with Helayn Ying in her office at West Meet East International, and we enjoyed a good discussion about the future of our strategic alliance and where she envisioned that alliance in three years time. A time at which point she indicated that she was in negotiations with Kawaī kao Cosmetics to eventually merge one of our product lines with one of her fashion lines. A considerably bold move, that would commit our businesses to a partnership for decades to come, making our meeting more like the planning phase of a strategic marriage in the feudal era.

The meeting went successfully and we bid each other farewell, after which I ventured into the warehouse and the receiving area to meet with my good friend Braden.


"I'm on my way out of town in two days. Want to go to the Nerd And Surf have a few? Catch up on things?" I asked him.


"Are you psychic or something? I was just thinking of calling you up and asking you if you wanted to go out for few drinks myself. Unbelievable Johnny,"  Braden responded.


"That's my job. I can read 'em from kilometers away, and the same goes for friends too. That's why I'm at the top of my game," I said to him, already knowing that the poor guy needed a friend.


I know from working in this business for many years, that its a tight knit crew. There aren't many places or people you can talk with in this business, without it coming back at you from a different direction, let alone a tabloid. 


Braden and I had a good friendship however, and one that was built on trust. We were two adventurous cowboys taking on life when and where it confronted us, always trying to leave things just a little bit better than they were before we happened upon them. Despite what it might seem to the contrary, even guys like us needed someone who knew when to listen, and when to force feed us the advice that we didn't want to hear. That was something that we could rely upon from each other, Braden and I.


"I'm done here at six. That's in like two hours. I'll be at the Nerd And Surf at six-thirty," Braden assured me.


"We'll grab a bite to eat, and then we'll see where the night takes us from there," I responded.


After saying my goodbyes to everyone at West Meet East International, I left, carried out a few errands. Made a few phone calls, and then made my way to the Nerd And Surf.


For the record, let me state that the Nerd And Surf has long been our established hang-out. The place that Braden and I often went to when we needed a quick break from the tight knit industry in which we both worked. As I stated previously, it gave us a chance to have a tasty and nutritious seafood and wings focused platter, a chance to catch up, and a chance to throw back a few, though we certainly weren't there for one of thosehaving the hair of the dog that bit us for breakfast nights.


When I got there, I found my way to the bar and to where Braden was seated.


"Howdy buddy. So how's life at the center of action at West Meet East?" I asked him.


"Good. Things are definitely picking up for the coming holiday season. Longer hours. More pressure from the boss. More fashion synergy events. I'm sure you know the territory. I already ordered us the shellfish and wings platter. Wanna grab a table before we pitch a few?" asked Braden.


I signaled the bartender for a pair of pint glasses of our favourite lager, each with a shot of Rose's Lime Cordial, as we are gentiles of refine I'll have you know.


"Keys?" she smiled at me with that I'm being responsible by asking you, and by paying my way through college kind of smile.


"Its a done deal, though we're only here for a couple," I responded to her as I tossed her my car keys.


"That's what they all say, but to make it up to you, your first lager is on us," she responded tactfully, and with a keep your distance sort of charm.


I had no intention of flirting, but I could entirely see where she was coming from. An attractive young woman in her early twenties, working as a bartender in an establishment frequented by the current and upcoming generation of professionals in the downtown core, as well your local college and university crowd. I'd bet you that she'd be hit on every shift that she worked, at least a hundred times if not more. Of those flirts, there might be one real sincere charmer with a future. 

That's not the say that the others were or are lesser human beings. They just couldn't acknowledge the fact that they were using a woman who was to them scenery along the trip of their life, as an affirmation of their masculinity and maybe to dodge ending up being labeled as one of the sausage party crowd.


Now I know what you're thinking, especially with my thinking, not speaking, terminology like that. Sausage party. An often secretly offensive label applied to men that like to party with other men, seeking male romantic partners. Consider my use of the statement to be slang, and not slander, because in the industry in which I'm employed, a considerable population of those professionals are such women and men who for their own reasons, prefer the company of the same sex over the opposite. Not all. Not few.


Consider that I know this after the fact of the story that I'm telling you, and not before, because I didn't always see things the way that I do now. But I can tell you this much for certain, that I didn't get to where I am now in terms of my perspective by having a bunch of self-righteous, indignant zealots trying to tell me what I can and can't think. Thought? That's the secret playground in your head. Where a person comes to understand the world around them, and if they have any sort of scruples, they empathize with the world around them to some degree in order to better understand it and hopefully, to become a better person along the way.


Some, who don't yet fully know themselves, do become uncomfortable in the presence of those whom they might have labeled as part of the sausage party, or for that matter, the oyster party crowd. And so, when faced with such a conundrum which they regard almost as a form of social disease, like playground cooties but for adults, they immediately seek to disprove their association with said crowd, by behaving in a way that contradicts it. Like immediately flirting with a nearby woman, with no consideration of her individuality or person. Basically, just using her to wipe one's own self clean of the cooties of the association of the sausage party.


Men and women who've not lived and learned long enough to understand this, are often apathetic to this fact, and that's why a young woman in her early twenties who works as a bartender at a popular bar will often find herself a conveninent target for the clean oneself of the sausage party cooties kind of guy, in addition to those just feeling friendly and confident over having had a few drinks. In my experience, that lack of apathy is an injustice to both the sausage and oyster party crowd, and the women and men that those apathetic use to wipe themselves clean of their association.


All that from one glance from a pretty young bartender who was very obviously preparing herself both emotionally and professionally for the long shift ahead. That's why I'm at the top of my game in the profession that should really be called, a people understander.


"So what's shaking?" I arrived with our Rose's Lime Cordial crowned pint glasses of lager, placing one of them down before Braden and the other in front of my place setting.


"Same old story. Same old song and dance. You know Helayn. She's a workaholic," Braden held up his glass, which I also did, and our night's voyage began.


"Its her company. Of course she's a workaholic. Another thing that she has in common with you," I said to him, already knowing that there was some kind of tension between the two.


"I know, but... I'm getting mixed signals. Its like one week, she's really trying to get through that invisible wall between us. A few secret glances in my direction, which she thinks that I don't notice. Then, she comes in person to make requests of the shipping and receiving department directly to the shipper slash receiver. In a company like hers, that just doesn't happen. So she's sending these clear signals, and then the next week, she's shying herself away from me. I'm really beginning to think that she's just being diplomatic so she doesn't scare away her back-up baby-sitter, which brings me to the other side of the equation..." Braden took another sip of his pint anxiously.


"Kori?" I confirmed with him, already having an inkling of the situation given our last outting of half a year earlier. Just before the summer of the same year.


"At the same time that Helayn is doing the see-saw with me. Pushing me away and pulling me back. Kori has for the entire time, really been quite forward, and not making any attempt to keep that fact hidden. In a way, its kind of exciting because her and I are on the same wavelength in a lot of ways, but at the same time, its like..." Braden explained his current life struggles to me, and I did the best thing that any good friend would do and listened.


"Like someone marking you as their territory?" I asked him, introducing him to a concept few understood as thoroughly as did I.


"Yeah. It is kind of like that. If it were anyone else, I'd have definitely put a stop to it. But when its someone you think about with interest... albeit, occasionally. Its a bit different," Braden drew some relief from his discussing this situation.


"But you don't want to use Kori as a means to play Helayn, right? I mean you wouldn't hook up with Kori, just to get Helayn's attention. You know? Withdrawing your interest to lure theirs in. Right?" I asked him like a therapist more so than a friend.

I did have some vested interest in this situation though, both professionally and personally as Helayn was one of our best clients, and Braden, one of my best friends.


"No. I don't think so. No. I'm thinking that I want to get on with my life. I'm in a good spot right now. I have opportunity ahead of me. I think that its time that I shared my life with a romantic partner. Someone I can trust. I don't think that Helayn knows what she wants, or that she's ready to make a decision to those ends, but I'm also afraid that if I make that choice for her, by pursuing what Kori is very obviously offering, that Helayn will regret not having come forward to me to speak about this," Braden confided in me.


"But your life counts in this adventure too. You do know that I take it? I mean, you can't wait forever for Helayn, but you could approach her yourself. Did you ever think of that?" I confirmed with Braden.


"I tried that once upon a time, and she just deflected it, and spun it around, making it out to be my shortcoming. That I needed to make a choice, and then a week later, she went back to doing the exact same thing. Push-me, pull-me," Braden revealed to me.


"Look. Braden. The way I see it is that you have two choices here. You either play the same game with Helayn that she's been playing with you. Push-her, pull-her. Or, you have done with that possibility, and instead start a life with Kori, never once for the sake of the heart of either woman, looking back in regret. Move forward on this buddy. Helayn obviously wants you to play her game, but you don't seem to be interested in that. So you've really got to hucker down and make a choice yourself. Helayn was right. She just doesn't want to ruin the fun of playing her way, and maybe you're the person that finally can do that with her. If you aren't however, then don't keep her hanging on," I said to him, already preparing the imaginary invoice for my therapy session.


By that point, the seafood and wings platter had come, along with another round of Rose's Lime Cordial crowned pints.


"Man, you did it again. You totally leveled the playing field, and its like so crystal clear what I have to do. Thank you so much man," Braden and I shook.


"What are friends for? So I'm going to Osaka. Leaving on Thursday morning. You're from that neck of the woods..." I started with him before he interjected.


"I'm from China originally, though I've traveled a lot in the region. I spent a lot of time in Korea mostly, but I also lived in Japan for a couple of years, in Kyoto. I visited Osaka more than a few times so I know some stuff. What do you need to know?" Braden offered.


"I've gotta land a rather important deal. I won't mention any names, but it involves a rather large online warehousing direct to customer shipping company, but they also have a number of large storefronts in major cities around the globe. Can you share anything with me that might help me to land the deal?" I asked Braden, knowing that despite his current humble financial existence, that he'd also chummed up with many influential people over the course of his young career as an acrobat performer with a Chinese traveling show. He'd mingled with the likes of statemen and celebrities from Mumbai, to Hanoi, to Busan and Seoul, to Shenzhen, Hong Kong and GuangZhou, and of course Kyoto. Braden was one of my secret weapons when it came to getting insider information before meeting for a deal with anyone from the Mid to Far East of Asia.


"There's the obvious. Be polite. Be cordial. Don't be tardy, but you already know all of that stuff, don't you?" Braden confirmed with me.


"I'm way beyond that. I need something that will get their attention. There will undoubtedly have been an army of guys like me sent by other cosmetics suppliers. I really want to stand out from them, and be remembered by the people who count. I've got the substance of being. I've got a great brand backing me up. I want the one thing that they'll remember, that makes me stick out from all of those other corporate and territory sales mojos," I explained to him, already getting signs from his expression that his tinker was already hard at work on finding that for which I was asking.


"Alright. I've got it. Nooo. I can't send you there..." he suddenly withdrew his ingenius possibility.


"Awww, come on man. You can't do that. If you can't send me there, then you obviously have to send me there because its obviously got what I'm looking for to stand out," I coaxed him a little harder than he'd sluffed me off of the idea.


"I don't know. This isn't just some flower shop I'm sending you to in order to find a fabled pink blossom banzai or something like that to gift them, you know?" Braden backed up even further.


"Really? That's all you've got for me considering I just helped you to solve an issue that has been an obstacle for your life for the last three years. Something that was keeping you trapped in place along your life's trajectory for years. I thought friends did better than that for each other?" I really played the violin hard this time, squeezing the melancholy out of every note over the matter of a friend turning his back to a request for help from another friend.


"Its a shop, but its closed to tourists. Only the locals use it. Its in the temple prefecture. Its even hidden between two temples and unless you know exactly what you're looking for, you'll miss it. But first, before you even go, you'll need to visit another temple, and get a special sigil..." Braden began explaining to me.


"A what?" I asked him.


"A sigil. A ward," Braden paused, accenting each noun for me.


"What exactly are those?" I asked him, appearing as confused as I truly was.


"Alright. You know how when you go camping up north in Huntsville or the Bay of Lakes in Ontario, you usually make a stop to buy insect repellent? You know, so you don't get eaten alive by flies?" Braden, who'd enjoyed several company camping trips with West Meet East, who undertook such excursions on a yearly basis, every year during the July 1st long weekend to celebrate Canada Day, used a the insect repellent analogy to great effect.


"Yeah, I know. So you're saying these sigils are like insect repellent?" I confirmed with him.


"Yes. Kind of. Let's just say that to go into the place that I'm talking about, you're going to need one of these sigils, and it will cost you. However, if you do manage to go there, I can assure you that you will stand out above all others their company has dealt with. They'll definitely remember you, but you can't tell anyone else about this place, ever. I mean ever," Braden leaned forward in his seat and got in close to me, ensuring that nobody could hear him, and nobody could read his lips as he spoke.


"Then that's the place that I want to go. Tell me, what do I need to do?" I asked him, shoving a seafood sauce covered shrimp into my gullet after I'd asked.


"Alright, but rememeber what I said," Braden reiterated his request to me, and I listened carefully to his instructions.


To be continued...

Written by Brian Joseph Johns

Credits and attribution:


Thank you both the Deepai.org and Photopea.com, without whom the title art would not have been possible.

I collaborated with Google GeminiGrok and DeepSeek AI to come up with the title to this brand new episodic content, and all three contributed to the process, yet DeepSeek somehow managed to do it ever so poetically and with the mind of an artist and writer. We need more poetic thinkers in AI. Think Jodie Foster's enigmatic scene in the movie adaption of Carl Sagan's and Anne Druyan's Contact and you'll know exactly what I mean. In fact, watch the entire movie! The world needs that right now!

Special Thanks To Rocket Fuel Lakeshore Blvd West, perhaps the best place in history to get a coffee, circa 2001-2004. Miss you all very much.

Artwork: Amy WongWendy PuseyGhastlyBirdman, Brian Joseph Johns, Daz3DUnreal Engine...

Tools: Daz3DCorel PainterAdobe PhotoshopLightwave 3DBlender, Stable Diffusion (Easy Diffusion distribution), InstantIDSadtalkerGoogle ColaboratoryMicrosoft Copilot (Windows 11), HitfilmPhotoPea (a great web based Photoshop stand-in if you're on a low budget or in a pinch), Deepai.orgGoogle AI Studio, Borderline Obsession...

DeepSeek AI for suggestions on exercises to improve aspects of describing scene and settings with a more sensory focused grammar.

InstantID by: Wang, Qixun and Bai, Xu and Wang, Haofan and Qin, Zekui and Chen, Anthony. Research Paper Title: InstantID - Zero-shot Identity-Preserving Generation in Seconds.

Sadtalker by: Zhang, Wenxuan and Cun, Xiaodong and Wang, Xuan and Zhang, Yong and Shen, Xi and Guo, Yu and Shan, Ying and Wang, Fei.
Research Paper Title: SadTalker: Learning Realistic 3D Motion Coefficients for Stylized Audio-Driven Single Image Talking Face Animation.

Gratitude: Our Mentors, Senseis, Sifus, Sebomnims, lifetime inspirations, family, friends, the Nomads (ask Stanton about that one), the Music, the Movies, the Theatre, the Arts, ASMR, (both YouTube and Bilibili and the many other creators on those platforms), the Gaming and Developer communities and of course, the audience.

Martial Arts (in the words of real experts and at least one comedian): https://brucelee.com (home of the real Dragon and an entire family of inspirations), http://iwco.online International Wing Chun Organization (International presence of a very scalable intensity martial art, protected and developed by Shaolin Nun Ng Mui) and the alma mater of Jinn Hua's own specialized variation thereof, https://iogkf.com International Okinawan Goju-Ryu Karatedo Federation (even Hanshi had his teachers), https://itftkd.sport International Taekwondo Federation (Here there be Taegers), https://tangsoodoworld.com Tang Soo Do World (the path of Grandmaster Chuck Norris), https://www.aikido-international.org International Aikido Federation (how else would Navy Chef Steven Seagal liberate a Nimitz Class Aircraft Carrier from a team of hijackers?), https://www.stqitoronto.com Shaolin Temple Quanfa Institute (The City Of Toronto's own Shaolin Temple), https://www.enterthedojoshow.com Master Ken's Ameri-Te-Do presence (If we can't laugh at ourselves, then we can at least laugh the loudest at others, and other Zen)

Magic (performance, illusion and perhaps the real thing): Magic Week Archive (I'm currently growing this section so stay tuned)

Special thanks to AitrepreneurMickmumpitzHugging Face and the YouTube educational content producers, including those catering to the AI content production pipeline and of course AlphaSignal.

Shi Heng Yi Shaolin Training For Self Mastery 
A reknowned Sifu under whose tutelage you can study the theory and practical applications of the Shaolin Arts for health, physical and mental wellbeing in every day life

Shi Heng Yi Shaolin Training For Self Mastery 
A reknowned Sifu under whose tutelage you can study the theory and practical applications of the Shaolin Arts for health, physical and mental wellbeing in every day life

Jesse Enkamp: Karate Nerd
Jesse, a reknowned Sensei who runs his own dojo, explores the world of Martial Arts, traveling to many exotic locations to meet practitioners of a variety of different arts

Sensei Rokas: Martial Arts Journey
A reknowned Sensei of Aikido who in seeking to understand the roots of Aikido and its applications, seeks to stress test its effectiveness in a number of real world situations while studying its history

Seamus O'Dowd
An extensive growing archive Katas, Techniques and Waza (mostly Shotokan)

Iaido: Train For Katana Mastery Like Samurai 
The original weapons focused curriculum under which Samurai became masters of their art

Tapp Brothers Exercise For Better Motion 
Extensive courses for calisthenics and body strength, stamina and flexibility

Special thanks to Canva for inspiring other creators and giving them the tools

Special thanks to Captain Crunch and his wonderful sister!

Special thanks to Bandcamp for giving indie music artists a home under one roof

Something to give you perspective: The very first teacher had no formal education, didn't graduate and was self taught, but only because they had no other choice. We do.

This content is entirely produced in Toronto, Ontario, Canada at 200 Sherbourne Street Suite 701 under the Shhhh! Digital Media banner.

Tuesday, October 14, 2025

Global Sumud Flotilla and Freedom Flotilla: Something To Remember

I have to say that the news about the cease fire (which I commented on already in a previous post) is the best news that I've heard for a very long time and certainly I'm not alone in ensuring that it remains in place. There have been a small number of violations by Israel since the cease fire was signed into effect, and this is disconcerting, but no reason to give up.


Since first writing Episode 7 of We Who Stand On Guard, which visits the era of the Oslo accords and two operatives tasked with uncovering a potential threat to the arrival of peace in the region, I've been keeping a steady eye on the situation, and watched it grow from a situation of the similar application of force as was visited upon the outskirts of Tel Aviv on October 7, into a full fledged human rights crisis and potential genocide. I voiced my stance against this escalation of force, targeting hospitals and civilians by the IDF, though I truly became aware of the scope of issues involved once I first started taking notice of the flotillas looking to break the siege upon Gaza. The Freedom Flotilla and the Global Sumud Flotilla, both of which were initially founded in the region between 2008 and 2010, during the IDF's war with Lebannon.


The fact that activists have been making a statement of this nature, without the support of press coverage is quite remarkable, and many of those who've participated from that far back are still with these flotillas, in support of Gaza. You could say that for myself and likely many others throughout the world, that the real pressure towards peace began with the activism of these courageous people, and the work of Doctors,  Nurses, support staff in the regional hospitals, journalists, ex-military of the region, and activists (including the timely support of activist Greta Thunberg) who spread the word through various online media, which created the tidal wave of support that had been building since 2008, thanks to many people, most namely, the victims of the attacks, whose voices finally reached the world by way of these activists, many of whom have been doing this exact same thing for years, if not decades.


I've been an advocate for a long time (perhaps as far back as 2012, when my online content first arrived), but my first really having presented posts and other advocacy dedicated to the matter didn't arrive until long after these Flotilla activists had been doing it for years.


I hope that nobody thinks of me as trying to be (or being) a glory hog, because that is certainly not the case, I present the fact quite clearly here that these flotilla activists were the biggest factor in my realization that I had to give this situation more attention than I'd already given it. When Canadian Thanksgiving came up as the opportunity, it was the  work of these activists that made it all possible for me to realize that I could use this space and its underground draw to make people aware or at the very least, contribute to that awareness.


It is great that the world leaders finally stepped up to the plate and made possible what had long been expressed by courageous activists, but truly, these advocates deserve our gratitude. They've been doing this for a long time and making people aware of the growing crises in Gaza, while other activists of a more biased bent have remained silent on the issue of the Gazans. The wave of pressure that broke through and led to this peace, would never have been possible without the people who had to courage to stand in defiance of what was being silenced.


I'm most humbly grateful that Shhhh! Digital Media could be a part of such a thing, but that was only possible as a result of people who've been far more courageous and doing the actual activism on that front for decades in the very region where this all finally converged towards an armistice. Let us hope the fighting has ceased and the future of a lasting peace between Gaza and Israel is as bright a hope. 


Please, remember the efforts of those who I've cited in this post. But most of all, remember that the Gazans, who've returned to the millions of tons of rubble that was once their home, are just starting the process of searching for their lost loved ones, some of whom might be buried alive, while many others might be long gone. 


Wounds such as these don't heal over night.

Brian Joseph Johns
CEO, Writer, Artist
Shhhh! Digital Media

The Shhhh! Digital Media verson of James Cameron's Aliens Sequel...

Some minor spoilers ahead for Aliens and Alien: Earth. You have been warned.


Hi. Brian Joseph Johns here. No, I'm not Neil Blomkamp, though from what I gathered of his planned Aliens sequel, it would have been the front runner to many the ideas that have come forth to carry the story forward from that point in that particular time line. 


So lets just say that there are some questionably "off" people who'd assume my interest in making an attempt to write an Aliens sequel could be explained by my being "possessed" or "inhabited" or even more appropriately so "impregnated" by a Blomkamp, or Noah Hawley facehugger


However, I can assure you that isn't the case, but there are many people who'd attempt to take your soul from you, using colour symbolism and a variety of other techniques if they thought you had a good chance of success in such a creative endeavor. Our world is rife with such people now unfortunately. Our individuality and consciousness is no longer sacred to some predatory people in this world, but I want to stick with the matter at hand rather than ranting about something that I can't change with a few words.


Here we are on winter's front doorstep, or possibly another six weeks of summer if a groundhog see's its own shadow, or something to that effect that would explain the bizarre weather we've been receiving during the SAPCHoP time of the year. 


Those of you who've read the majority of Tales of the Sanctum: A Lady's Prerogative stories will know exactly what that acronym stands for. If not, you can figure it out by following the provided link and doing a bit of reading, or glancing over the story casually to find it.



Some Background To My Experience With Alien and Aliens


Now for the real reason I decided to put this post up and put it before my readers. As many of you likely are, I am a big fan of the Alien films, though when the first (Ridley Scott/Dan O'Bannon/Ronald Shusett/HR Giger) film was released with a restricted to 18 and under rating, I was only 11 years old at the time. However, my (real) parents (whom I'll refer to by their first initials as R&D), were major film buffs and so blown away by the movie, that my father came home with the Heavy Metal graphic novel version of the film, which released at very close to the same time as the theatrical release of the film from which it was adapted. 


As a result of this ingenious move by my parents, I got to read the movie in graphic novel format long before I'd have had to wait to see it (another eight years before I'd have been of age). I even lent the graphic novel to my best friend (whose first and last name initials are SM, and whom some of you may have heard of, seeing as he designs props and practical effects for film and television).


Here's the dinger though. When I was finally of age to see a restricted film at a movie theatre, was almost the exact same date and time that the sequel Aliens was released (in 1986). I even recall having a few drinks with my friend RW, with whom I went to see the film Aliens for the first time, and perhaps a few years after having seen the original Alien on VHS.


Its hard to explain what a phenomenon Aliens was, though the front doors to such fanfare and success were initially opened by the very first blockbuster films, such as Jaws, Close Encounters of the Third Kind and Star Wars. However, none of those films dared to journey into the genre of horror, the closest coming to it could arguably have been John Carpenter with Halloween (which also features a female protagonist who heroicly survives her encounter with the nemesis of the film). 


Thankfully Ridley Scott stepped boldly into horror territory with the first film, Alien. You could say that Alien was the first blockbuster sci-fi horror film to have fanfare close to its nearest contemporaries in cinema (Close Encounters and Star Wars), despite the film being so uniquely different than anything that had come until that point, having more in common with Arthur C. Clark's and Stanley Kubrick's 2001: A Space Odyssey.


Aliens, took that setting and gave it an incredible premise involving Ripley's return to the horrific site of the derelict ship from the original film, a planet which was now being terraformed by the dystopian company Weyland-Yutani, although she wouldn't be returning to the planet of her first encounter with the xenomorph alone. She'd be joined by the most well armed and trained bad-asses that the Earth had to offer: enter the Colonial Marines, undoubtedly an hommage to the work of writer Robert A. Heinlein, whose book Starship Troopers was the inspiration for the Colonial Marines, James Cameron even placing many obvious tips of his hat to the writer throughout the film.


What Sets Alien And Aliens Apart From The Other Films In The Series


The genius of the writing in Aliens was that Ripley doesn't agree to return because she has a bunch of Marines with her, though don't get me wrong, they're as much at the center of this film as her character arc. She returns to LV-426 because by the start of Aliens, its clear that she's lost everything, including the last surviving members of her own immediate family due to natural causes given the plot of the film. She returns because the planet where she'd first encountered the xenomorph, was being terraformed by 260 engineers and their families. She went because she hoped there was a chance to save them before the inevitable. The part of Ellen Ripley is played by Sigourney Weaver, whose performance both takes up the torch (of performers like Jamie Lee Curtis) and sets the stage for the future of the heroic female archetype in modern film, and is evident in the films of the Resident Evil franchise (starring Milla Jovovich), as much so as with Disney's own Black Widow (Scarlett Johansson) and Thunderbolts* (Florence Pugh).


By the time the main action sequences in the film arrive, we've already become familiar with the most prominent Marines, who've been sent to investigate why Earth has not received any communications from the terraforming colony on LV-426. These marines are an outfit who've very obviously never met their match in conflict, and most of whose encounters with alien life involved stomping bugs, hence the Marines' lines in the film:


Corporal Hudson (Bill Paxton)
"Hey Sarge, is this going to be a stand up fight, or another bug hunt?"

Lieutenant Gorman (William Hope)
"According to Lieutenant Ripley's report, what we may be dealing with here is a xenomorph," 

Private Frost (Ricco Ross)
"Excuse me Sir, a what?"

Corporal Hicks (Michael Biehn)
"Its a bug hunt..." 


This part of the pre-combat drop briefing really sets the tone for their attitude towards this mission, with Ripley being the only person concerned about the imminent threat the xenomorph represents given her experiences. However, this also underlines the immense courage the character has, for she's returning to face off against something that has taken everything from her life. Its this that Hicks, being the only Marine who takes her seriously latches onto, when he asks her with a very serious and compassionate tone during the briefing:


Corporal Hicks (Michael Biehn)
"What exactly are we dealing with here?"


Ripley's response is fraught with anxiety, as she suddenly has to face the memory of this thing and recall it for a room full of people who've demonstrated that they don't take her or her report of the xenomorph seriously, all the while Hicks listens to her, realizing that she's truly harbouring something of horrific proportions. This sets up the fact that Hicks decides to catch a snooze during the drop ship sequence, feeling that given the risk of what they might be facing, they might not get another chance to rest for a while. It also indicates that Hicks is amongst the most experienced of the marines, having done so many drops that its no longer a novelty to him. He can simply catch fifteen minutes of shut-eye while the other marines are burning through their adrenaline. 


Most of the other Marines were too busy clowning around, or involved in bouts of what amounts to battles of alpha male and female if you get my drift (penis envy perhaps). They didn't take the situation seriously, nor did they respect the civilian who'd accompanied them to act as a consultant, but that goes hand in hand with the territory of being these particular marines in this situation, which begs the question, did Weyland-Yutani executives choose the Sulaco outfit based upon a psychological profile they saw might be beneficial to Carter Burke's (Paul Reiser) goals?


The first words between Ripley and Hicks, cement the bond between the two of them, which becomes a focal point of the film with the arrival of the third character in their trio: Rebecca "Newt" Jorden (Carrie Hen).


I'll end my recollection of the film Aliens here, just to avert revealing any more spoilers to those who have not yet seen the film and to prevent myself from revealing too much of my idea for an Aliens sequel.


Regardless, the importance of that trio to the film, is at the very core of the plot continuity between the first film and the second film, and by the end of the second film, one could say that Ripley in a roundabout way, has found another family. Those truly knowing the threat of the xenomorph, hence she finishes the second film unlike the first, with two others who can relate to her in ways that nobody else in the universe can, except for those whose lives have already been taken by the xenomorphs. Those whose lives have been lost due to the corporate propensity for moving up in Weyland-Yutani exhibited by some corporate climbers, or the greed of those very same, whom the company seems to attract.


The real question is then: where does this new family find themselves, in the next chapter of the threat of the xenomorphs?


The importance of this question is insurmountable, as now, Ripley has much more than her own life to lose. She has a new family, and they too have her. However, together and knowing the imminent danger the xenomorph poses, they also have a responsibility to humanity, to prevent the xenomorph from ever reaching Earth or the populous center of humanity, whatever place that might be. Keeping the xenomorph from our source and origin, which when compared to the life cycle of the xenomorph, seems incredibly fragile while considering all of the elements of humanity's flaws that would contribute to the xenmorph's success against us.


I have a great idea for where this story could go, even with the arrival of Alien: Earth, and my interest in writing this story wasn't because of it being an opportunity for some publicity for Shhhh! Digital Media. It was something I had been considering since having seen the movie Aliens at a movie theatre all those years ago (in 1986).


In a way, I can relate with Ripley in ways that few other people can, as I've been targeted by the same kind of greed that the corporate climbers that Weyland-Yutani seems to attract have with regard to my creative and intellectual property, my identity and my skills as well, as if all of those things were the xenomorph that they've been pursuing for so long for the bioweapons division of the company. By these statements, I'm not claiming that I am above others or full of myself, because I'm definitely not. It took me a very long time to become confident and lets just leave it at that. I am just citing the fact that I seem to attract a lot of harsh interest to those ends, and that gives me a lot of insight into the character Ripley, a character whose life has been defined by that fact.


Ripley is a victim of corporate rape, as much so as she's a victim of the xenomorph, though of the two, the xenomorph is only following its survival programming, while the corporate climbers are following their sense of greed and the opportunity to move up in the company. To cosy up with the big wigs and to wield their power. There's even a moment of important symbolism in Alien: Earth, when the xenomorph literally eradicates an ongoing costume party in the building that the Maginot crashes into, whose guests are all wearing big wigs from 1700s, perhaps costumed versions of the bourgeois, which is likely a reference to the founding fathers (complete with red coats and blue coats). They are all quickly dispatched by the Alien: Earth xenomorph, which has a decidedly brown and black shell and exoskeleton. I am however not here to speak about Alien: Earth. More so to speak on the possibility of my pursuing my own version of the sequel to James Cameron's Aliens.


Recently, I've been given the cold shoulder quite a bit, especially with regard to anything related to Disney, and have decided to keep my distance from as a result. In a way I thought that Disney might be the place where those of us who are creative misfits with a propensity for elevating women, children and misfits much like ourselves, that have through one form of another, lost their ties to family and friends as a result of abusive ideologies or other trying social circumstances, that they might be a harbour in the storm for other similar creatives, hence why for a time I pursued the possibility. 


I thought naively, that Disney, although it represents family in the sense most are familiar with, it is truly made up of people who have been by one means or another, fragmented from their own families, through difficult times as creatives and artists, who eventually, like Ripley, Hicks and Rebecca, find a new family with people who are all too familiar with the sometimes volatile and predatory nature of the modern world. I even thought this particular insight gave me a key to something that might eventually allow me to open that door, despite the fact that I am now 57 years of age, a little over a month away from turning 58. Its been a long and very bumpy road getting here.


Very recently however (over this weekend), that hope was dashed and I've decided to pursue other avenues and to keep my content as distant as I can from any properties close to Disney's.


There has been an effort to erase or disconnect me from my fav.inbox@gmail.com Google account, which basically is the email I used to create everything that eventually became Shhhh! Digital Media, hence its tied to a lot of things that tie my identity to being that of the creator of those things, hence the effort of an abusive ideology to make it seem that email account belongs to a different person other than myself. Like splitting my identity in half. A sort of gnostic bifurcation of the soul, that abusive ideologies might use to take something of value from someone. I even have neighbours in the same building who have access to the coax cable to which my internet is connected, who seem to think that if they unplug my internet, that they're remotely controlling my computer. As I stated, this cult are more akin to a new form of stalkerish organized crime than anything, and that's exactly what they are. As if unplugging my internet makes them the writer of everything I do. The ends that some people will go through to erase the existance of others, and take over their output from them is quite extraordinary.


Its unfortunate to see that there are many people whom I once trusted actually helping these groups achieve those ends. Hence, my decision to not pursue the idea, hoping that I don't have situations where like I'd stated, that people who'd attempt to take your soul from you, using colour symbolism and a variety of other techniques if they thought you had a good chance of success in such a creative endeavor, would seek to use these ends to achieve those goals to take such ideas from you. Ironic how someone who always gives credit where its due, can be targeted by such ideologies, but once again, I'd rather focus on something a bit more constructive, though I won't be turning my attention to other creative properties such as Terminator.


I'd prefer to focus on my own. Maybe however, if there's enough interest expressed, I'll reconsider my choice and start as soon as I can on writing this Aliens sequel idea I have, between other episodic stories I'm currently working on, though keep in mind it won't be written in film script format, but rather the same novel format I use for my own creative properties, perhaps using what I remember of famed writer Alan Dean Foster and his work on the Alien franchise when adapting the script to the novel version.


Once again, thank you for reading my content if you did manage to stick with this post for this long. I'll probably be back this week with something new, and possibly a new audiobook or two.


Have a great day if you're not already.


I'm an Atheist that leans toward Buddhism and Taoism.


I am Brian Joseph Johns and this is Shhhh! Digital Media at https://www.shhhhdigital.com or https://www.shhhhdigital.ca in Toronto, Ontario, Canada at 200 Sherbourne Street Suite 701.